Laurens Legiers

‘Dusk till Dawn’

15.01.2022 — 20.02.2022

Exhibition view, ‘Dusk till Dawn’, PLUS-ONE Gallery, 2022

Considering his young age, artist Laurens Legiers (1994) has a very recognizable style. His work is clearly legible, his painting technique, even. He uses soft, rounded visuals and modest colours, focusing on the entire motif rather than on minute details. This keeps the surface tempered, mild. As a viewer you can dive in: there are hardly any obstacles, let alone any ego of the artist, present in his harmoniously accommodating images.

Legiers himself declares that he takes inspiration from the romantic landscapes of 19th-century artists such as Caspar David Friedrich: the storms, the wild sea, the dark foreground with a radiant sunlight in the background. However, the sublime dynamics and natural power that the romantics explored cannot literally be found in his work. There is no turmoil. All works, without exception, are characterized by a comfortable symmetry, a harmonious composition and smooth colours. One shade often determines the entire painting; a grey haze seems to hang over some works, as if our view has been darkened by rainy and cloudy weather. Other recent paintings, however, bathe in a warm light; a ray of sunshine after a storm, or a sun rising behind snowy mountaintops. A more romantic image hardly exists.

With the painting of snow, it is the first time that the artist uses larger brushes and a slightly more expressive dabbing technique. Snow, after all, should look fluffy. However, he remains true to the abstract, comb-like yet rounded shape he has appointed to ‘snow’. Within his own visual language, he chooses to represent themes or objects in his very individual way, and they gradually become trusty constants throughout his entire oeuvre. By now, we know and recognize his egg-shaped mountains, his happy-looking lobsters, his starfish, his snails, and his leaves (which, depending on context, might bear similarity to mountains).

This text is partly based on a previous essay entitled The Soft Beauty of the Rain (July 2021).

Excerpt of the exhibition text written by Tamara Beheydt, 2022

Previous
Previous

Xavier Noiret-Thomé